Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens
- 8.2-megapixel sensor captures 3504 by 2336 pixel JPEG or RAW images
- Includes 18-55mm (3x zoom) f/3.5-5.6 autofocus lens, EF mount compatible with all Canon lenses in EF and EF-S lineup
- Direct printing with PictBridge printers
- Store images on CompactFlash memory card
- Powered by rechargeable BP-511A 1390mAh battery pack
Specs Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens, price Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens, review Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens, manual Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens, buy online Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens, features Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens
The perfect EOS for advanced amateurs and professionals alike, the EOS 20D sets new standards in its class. Featuring an all-new 8.2 MP CMOS sensor, a second-generation DIGIC II image processor, 5 fps performance for up to 23 consecutive frames, and a 0.2 second start-up time, the EOS 20D is designed to capture richly detailed, perfectly exposed images with speed formerly found only in cameras several times the price. Other features include a top shutter speed of 1/8,000 seconds, flash sync at 1/250, a new high-precision nine-point AF system, a built-in multicontroller for fast focusing point selection, and a refined magnesium alloy body for rugged, go-anywhere photography. Compatible with not only Canon’s new EF-S lenses but the entire EOS system of lenses and flashes, the EOS 20D is a professionally featured camera with a consumer price tag.
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Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens (Electronics)
And that includes all the offerings from Nikon, Olympus, and Minolta/Konica. I LOVE this camera. The 10D was felt by many to have focusing issues and though I did not have any significant problem with my 10D in that regard the 20D represents a substantial improvement in this area. Canon still is not offering (in this price range) a camera with eye control or 45 focusing points, BUT the nine focusing points that ARE offered are well placed and the camera focuses quickly and surely resulting in tack sharp photos.
The pictures this camera takes are simply beyond belief. Beautifully saturated, tack sharp, NO, and I mean NO noise at 400 or below and barely discernible noise all the way up to 1600 ISO. For all practical purposes 1600 ISO is an entirely usable speed resulting in fantastic pictures. What Canon has accomplished in reducing noise and increasing pixel density proves that they are, for now, the technology leader.
Another big advantage over the 10D is the instant on feature which does not leave you sitting there helplessly until the camera turns on. That happens instantly! A new flash system, ETTL II is a vast improvement over the 10D. And, to my eye, there is an improved dynamic range with slightly less blown highlights.
The in camera processing results in far more pleasing pictures than the previous 10D or Digital Rebel. This camera has a greater burst (more pictures quicker) that the previous 10D.
Now there is currently an issue with mirror lockups reported by probably 10% – 20% of all owners. If you encounter this problem before you update the firmware then simply take the battery out of the camera, reinsert it, and you’re good to go. Canon has issued a fix and it is available on their web site. It completely remedies the problem so, not to worry!
One of the greatest things about digital photography is the ability to build a digital dark room for next to nothing. With the included Photoshop Elements you are well on your way to producing pictures that you could only have imagined in the pre-digital days. I am able to recoup pictures that I never would have considered salvageable before this camera.
The other thing I like about Canon is the lens system which IMO is second to none. Also, Canon continues to innovate at a furious pace driving the price of these digital cameras relentlessly downward.
I sold my 10D to purchase this camera and for me it represented a significant improvement more than justifying the cost of the upgrade.
So, I LOVE the camera. LOVE Canon. And LOVE digital. All in all I’d say I’m a pretty happy camper!
Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens (Electronics)
This is my second digital camera. Previously I had used the Fuji Finepix s5000, but wanted to move up to an SLR system so that I could eventually use a variety of lenses.
I was very concerned at the beginning of my DSLR buying process- it seems to me that once a person buys a body and a few lenses, they are committed to that camera maker’s “system” pretty much for life, so I wanted to be very certain that this was the right choice. If you purchase a 20d, you are not just buying a 20d, you are making (often) a pretty serious financial commitment to Canon technology.
I chose a canon 20d for a few reasons; I had decided early on in the process to stick to Nikon or Canon, as they are the clear leaders not only of Digital SLRs, but of Camera technology in general. Thus, though certain other SLRs like the Olympus E-Volt or the Pentax *istD are attractive, they simply do not have the range of accessories or the support community of either Canon or Nikon.
I ended up seriously considering three cameras; the Canon 350d (Digital Rebel), The Canon 20d, and the Nikon D70. From talking to other folks who were in the same situation as me, This seems to be a common range of choices people face
I ended up choosing Canon because it seems to me that they have a slightly better line of lenses than Nikon, particularly those available on the used market. This is important, because the more you use your DSLR, the more you will want that lens that is just a slightly wider angle, or just a slightly faster aperture, etc.
Once I decided to go for Canon, I chose the 20d over the 350d primarily due to size and toughness. The 350d is a great Camera, and its sensor is very similar to the 20d. However, the 20d’s magnesium alloy chassis is much heavier than the 350d. It can certainly take a lot more abuse than the plastic 350d body- and I tend to take my camera on a lot of long trips. The 350d is a lot lighter, which is nice- but I frankly found its body too small to grip easily. As I have very large hands, this was a serious disadvantage to me. For someone with smaller hands the 350d probably feels fine. You will have to pick one up and judge this for yourself.
The layout of the camera itself is a lot easier to use than the 350d as well. The camera requires far less attention when shifting settings than the 350d, and thus frees up your “focus” for the subject you are shooting. I cannot stress how ergonomic and intuitive I find this camera to be.
Since I have purchased the 20d, I have not regretted it for a minute. This camera is a real joy to work with. The viewfinder is nice and bright (looking through glass again instead of an EVF is a pleasure, believe me). The range of ISO settings from 100-1600 is wonderful, particularly nice are long twilight/night shots at ISO 100 that give you some lovely colors. Shooting night and low light with the 20d will blow your mind. The CMOS sensor of the 20d produces almost noiseless images at high ISO settings.
The best feature of the camera is the quick start up time. It can go from dormant to actively autofocusing in 0.2 seconds. My previous camera took 2 seconds to “turn on.” That may not sound like a great deal, but I lost countless shots due to that fact, and it is what pushed me most to upgrade my camera.
I tend to shoot on aperture priority or A-DEP (like auto, but with no flash), but there are a variety of “pre-set” modes for portraiture, sports, night shooting, and so on that are easy to use.
The megapixel count is nice, but not really that important. Comparing images made from the 6 megapixel Nikon D70 and 8 megapixel Canon 20d, one can’t really notice any difference until you blow them up to ridiculous sizes. At this level of the MP game, the quality of the lens you use is far more important to final resolution than the sensors pixel count. If you compare the kit lens (18-55mm f3.5-5.6) at its wide focal lengths and lower apertures with the canon 50mm f1.8 prime lens at f8, It looks like you are shooting with 2 different cameras. The same holds for Nikon as well, so don’t decide for the 20d simply because it has more megapixels than the D70. Of course, even the worst canon lens beats the hell out of my old digicam on its best day.
I have had a few problems with some older third party manufacturer lenses made for the Canon mount, Like Sigma and Tamron, not working with the new 20d body; but I have been told that if you ship off the lens to the manufacturer they will rechip it for free. All currently manufactured 3rd party lenses ought to work with this body. Keep in mind that the Canon digital sensor is smaller than 35mm film, so there is a “focal length multiplier” that makes your lenses “longer” than they would be on a regular film SLR. The focal length multiplier for the 20d is 1.6 . That means a 100mm lens on a film…
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Canon EOS 20D 8.2MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens (Electronics)
Update:
I just spent three weeks in Africa in a very desolate and harsh environment with this camera. I have to add – Don’t overlook the construction on your dSLR. I had heavy long telephoto lenses on it and the performance of the magnesium case, metal mounts, weather proofing, battery grip all is just amazing. I hate to imagine how a lesser plastic frame might have performed. After traveling by rattling/vibration ridden truck for days, dugout canoes in the middle of swamps, airplanes, hiking — I came to appreciate Canon’s commitment to construction. This camera and and the entire EOS system held up superbly under extremely abusive circumstances and can understand why professional photographers prefer this brand. And the pictures? Oh My, the pictures are just simply the best pictures I have ever taken in my life. Not just because of the locations but because of this terriffic equipment. My friend who had another major brand of camera complained about a muddy ant inside his lens, imagine a muddy ant inside his other major brand lens while he was shooting — not with my Canon equipment (the sealing held up great). Albeit – he’s a better photographer so he probably got amazing shots I didn’t — I didn’t worry about the equipment. A+++ to Canon for the camera, the lenses, the battery grip – everything.
On other news, I just read that canon is releasing the 5D so I guess my info from the original review was correct. Its definitely a bigger higher end camera and at $3,200 definitely in a different class. I think I’ll keep my 20D for telephoto work and but with its full frame sensor, I might get a 5D for wide angle photography. Again, amazing equipment from Canon.
Original Review:
I’m a first time dSLR buyer (bought the 20D from Amazon — great service). This was a big jump for me and I read and I read before I decided on this purchase and whether I should jump into the dSLR world. I’d outgrown point and shoot a while back.
On the 20D. I agonized over the 10D and the 6megapix Digital Rebel until the 20D came out and I quickly decided on the 20D. I picked the 20D because of solid magnesium case, 9point autofocus, 8.2megapix sensor and DIGIC II, and Instant On. So even after the Rebel XT came out — the 20D is in a different class altogether. The 20D is a professional chassis and you can use it as a pro camera — the Rebel is for world travelers (In my opinion).
My agony now is over what type of photography I want to do. I only have the kit lens and a $79 dollar 50mm f/1.8 II … lenses are expensive especially the good ones as I’m learning:
Here is what I’ve learned (intended for the new people who are wondering if they want dSLR or not). dSLR is really about the lenses and the options that you can use on the camera. You need great lenses for great pictures. This is my gradeschool version on dSLRs and lenses and I hope it helps:
The setup — Lets suppose you are standing next to your car and on your car’s hood sits your girlfriend and on the hood unbeknownst to her sits a litle grasshopper. Behind your car is a lake and in the distance there’s a huge snow capped mountain. This is the difference lenses make:
Prime Lenses: Would let you take wonderful facial shot of your girlfriend (boyfriend). If the lens has a good aperture, you might be able to blur the background so you only get her beautiful face and get rid of the annoying mountain and they tend to be light and small. (Canon EF 50mm f/1.4 is a prime lens — $350)
Super Wide Angle Lenses: Expands the foreground and compresses the background. So you’d get a picture of your girlfriend on the car which would both be huge and a lake that would stretch to the horizon and the mountain would look tiny in the far off distance. (Canon EF 14mm f/2.8L is a super wide angle lens — $1,800)
Telephoto Lenses: Compress the foreground and magnify the distant objects. You would wind up taking a picture that would magnify the mountain in the background but your girlfriend, car, and lake would either be very small and compressed in the foreground or they wouldn’t even come out in extreme telephoto lenses as you’d only get the mountaintop and cut out the rest. Your girlfriend would also wonder about your relationship at the sight of the humongous lens: good telephotos can be HUGE and heavy! (Canon 400mm EF f/2.8L is a super telephoto lens $6,000)
Macro Lenses: Let you take pictures of very small things and they tend to allow you to focus quite close in on the subject. You’d walk up to your girlfriend and she’d wonder what you were doing so close to the hood. You’d give her a peck on the cheek and then you’d close in on the little grasshopper next to her. With a macro lens, you’d could take a great picture of the little grasshopper and it would fill my frame. If your girlfriend is like mine, she’d be…
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